Who” and other music for BBC TV and radio programs.) Commissioned by Island Records’ Chris Blackwell, the three musical scientists soon holed themselves up for months in their Camden Town studio, fastidiously assembling what Vorhaus later surmised to be the most heavily tape-spliced album in history. (Derbyshire, of course, was by this point already responsible for the classic theme song from “Dr. One of the few acts in pop music history able to trace their origins to the lecture hall, White Noise were first conceived when American electronic engineer David Vorhaus– following a lecture by BBC Radiophonic Workshop veteran Delia Derbyshire– enlisted Derbyshire and Brian Hodgson to integrate their experimental electronics with more pop-oriented material. Pieced together on improvised equipment via innumerable tape edits, this remarkable album is at once futuristic and unavoidably date-stamped, serving as a fascinating audio snapshot of a bygone era in sound generation and recording technology. Recorded in the months immediately prior to the widespread availability of keyboard-based synthesizers, An Electric Storm might be one of the most painstakingly crafted electronic recordings of all time. White Noise’s landmark 1969 album An Electric Storm might not the first thing most people think of when considering 1960s music, but there are few records anywhere tied more intrinsically to the moment of their creation.
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